"Thank You BBC - For Keeping Me In Tune With You"
This is what I get for not listening to the BBC for months on end. Yes, I have been busy with my business and have dropped the ball on my pop culture sensibilities. This band sort of snuck up on me on the BBC. I looked into it and realized I was missing out on something near great!
Ah, but such is the way of life in the world of pop. It is those unexpected times that you find gems in the dust. I cannot figure out where these guys are from. They only have a few singles and a couple of albums I believe. They are on ITUNES but this song is not featured which is too bad - because in a short time it becomes very memorable.
Cantu - posted this on May 7, 2008 at 10:22 PM
Rock video music blog featuring independant bands, obscure groups and hard to find videos. Each video is followed with commentaries by Creative Director, Ted Cantu.
Wednesday, May 7, 2008
The FUTUREHEADS - Radio Heart
THE HOOSIERS - Cops and Robbers
TH3 CURE - WHY CANT I BE YOU? Remember that song when it came out? I know I wasn't ready to see my Goth heroes glammed out with a jazzy horn section. I still don't understand the furry bear suit Robert Smith was wearing. I recall that video and song leaving me very confused and befuddled.
That is how I feel about The Hoosiers. I don't get it at first but it is a hybrid of somekind. Call me crazy but I can pick up a bit of Maroon 5 in here.... and a yearning to be memorable. At parts this song tries too hard but it is catchy.... and yes it does remind me of the Cure.... I'm thinking Lovecats... but that is really not it either.
Somehow all this bouncing around from note to note has made this song likeable. But they are cues pulled in from likeable material you have no doubt heard before. Still, I must say, I find these guys a wee bit interesting.
Enough for a second listen in any case !
Posted by Cantu on May 7, 2008 at 10:38 PM
Friday, February 8, 2008
THE WHO - SISTER DISCO
KEITH MOON WILL NOT BE SEEN TONIGHT.....
This song has been dropped from the later WHO sets - which is a shame. This is actually a very good song. This was taken during the first Farewell Tour. The replacement drummer is Kenny Jones. Keith Moon, the former drummer, had a date with destiny after taking an overdose of pills and booze.
This punchy type performance is brilliant stuff. It came off terrible when it was released later as WHOS LAST, (Yes I bought it on tape!) as the sound levels were very muddy. As with all their performances you have to take the good with the bad and be lucky you got anything at all. I have heard some of the legendary 1976 performances on CD snippets and off DVD's floating around and those are much better if you can find them.
The latest WHO releases showcase a very different type of band. This was how I remembered them as a performing band -- loud, edgy and animated.
Cantu - posted this on Feb. 8 2008 9:37 PM
RICHARD BERGIS - MAN OF GOD
"SURE, THERE ARE MANY IMPORTANT THINGS I COULD BE DOING.... BUT IM NOT DOING ANY OF THEM RIGHT NOW....."
This guy Bergis is about as smart as a box of rocks. He is repeatedly pranked by two guys over and over and over again. He never seems to figure out that its a set up and he is being positioned for unlimited harrassmnt. Still -- its very entertaining.
There are rants about God, Nascar, Christians, Gays, Multi Racial people and many more things including a very strange paternity case. If you like your comedy raw and crude then you will adore this ridiculous collection of tirades, rants and proclamations and near promises. There is nothing wrong with a little mental illness now and then.
The best part of this clip is when they call him back no less than an additional two times. It is hilarious on many levels. First up, nothing here is scripted. This level of comedy comes straight at ya from the hip. The other noticeable thing about this type of comedy is that there is nothing really likable about the victim. He is crass. It makes the jaunting all the more deserved.
The wife at the end of the clip is actually very frightening when she identifies herself and her distorted husband as people of God. Still, all and all they could always just hang up the phone. But they never seem to progress that far. These rants continue to get worse and we can see Bergis become hypnotically unravelled in the scope of under ten minutes.
Its predictable. And its perfect.
Cantu IS BACK and posted this on Feb 8, 2008
THE LITLE BRO PROGRAM
THE HARDCORE ROCK AND ROLL LITTLE "BRO" PROGRAM
Hot Damn. Don't say we didn't warn ye.
Mein gott this is something else. This guy goes bananas. The comedy of this thing hits you square over the head about halfway through. The premise for this call is ridiculous. The infamous MR. BURGESS is once again dragged through the stinging red hot coals of interacial comedy.
Its hard. Its cruel. But by God, its hilarious.
Cantu is BACK .. MAN !.. and can be found at http://www.1seomichigan.com
Sunday, November 11, 2007
THE REAL CONTROL - JOY DIVISION
"CONTROL: TRANSMISSION RECIEVED...."
The overall effect of the movie, "CONTROL" made one feel out of sorts. At times you feel as if you are looking over Ian Curtis' life as an intruder. The film comes off simplistically in the beginning and you get panoramic viewpoints of what this movie is going to bring. It takes your concentration off the words that Ian is saying to you as a viewer. I missed the main part of the focus because I was trying to get a feel of the world he was in.
Ridiculous but true. I caught this subtlety the second time around. There is a full message there of course and the film is well constructed and whole.
Anton Corbijn, the director of the film, stated recently that everything he remembers he does so in black and white. Corbijn was the original photographer, he is of Dutch origin, and was there in the early days and snapped the compositions. But these formed his opinions on how the film was going to ultimately look like.
The band in the film did their own sound. But this sound, although impressive, lacks the total starkness that the studio releases had. That is what made the Joy Division sound so memorable because at times it was very eerie. They knew exactly what they wanted to create and what they wanted the audience to experience.
It still bothers me. You cannot shake it too easily.
Posted by Cantu on Nov. 11, 2007
Tuesday, October 30, 2007
Thursday, October 25, 2007
THE TUBES - TALK TO YOU LATER - "Fee Waybill - Rocks The House With A Snarl"
"Fee Waybill - Rocks The House With A Snarl"
I could never figure out what these guys were trying to accomplish. This track is brilliant but the rest of the stuff off this album was hard on the eardrums. "Attack of the 50 Foot Woman, (Attack)" was excruciating and "powertools" left me daft and embarrassed even when no one was around me.
Still, Fee was quite popular. His sound was FM radio ready in 83' and radio stations paid attention to him. They gave him lots of airplay too like on MTV and SCTV where they were guest stars for an episode of, "The Fishin' Musician" with John Candy. They also did a rocking tune called, 'Sushi Sue" and released some videos for SONY when the SONY 45 tapes were the thing to buy. This must appear like ancient history though with all this Internet glory going on in this wacky world.
Posted by Cantu on Oct. 25, 2007 at 9:53 PM
Saturday, October 20, 2007
THE TRUTH - PLAYGROUND - Dennis Greives
THE TRUTH - PLAYGROUND - On IRS Records
This is an another clip of a previous post on THE TRUTH, (Dennis Greives from Nine Below Zero). In the previous post it came with a somewhat unwanted extra of X singing BURNING HOUSE OF LOVE which I didn't particulary like.
I like the IRS tag in the beginning of the song. Here is what is interesting about this clip. Sure on one hand it is a total WHO rip off because its thrashy power chords with crashing drum rolls. But it works. THE TRUTH released this in 1985 and it is literally out of print.
I think its the most brilliant thing they ever did. The other albums they put out weren't as gripping as this. I also liked Grievsies later releases with Nine Below Zero but he really takes the R and B thing to a sleeping lull. Sometimes its amazing and sometimes its very subtle.
I liked the Townsend jump in the beginning. Its almost as if the UK kids had to come over here and show us how to do rock music. This really stuck in my head for years. The album - should you find it - is extremely expensive now and rare. I remember it being absolutely amazing in just about every way.
You really needed an album label like IRS back in the day. There was a lot of drivel going around with the devil and 666 stuff in the high schools. I was bored with it. I wanted something exciting. The edits are all equal length here for the most part. Its got a tempo to it.
Funny how you start to notice those sort of things when you actually do editing. Back in the 80's a lot of this stuff was done by hand before digital desktop editing....
ARE YOU KIDDING ME? The only computers we had in 85' were those crappy Macs that were the size of a bowling ball.
The opening is from Back Porch Video. The Smartest kids in my neighborhood. I grew up in the same town as they did and used to watch this show growing up in Ann Arbor. They were the only kids that understood what I wanted to see and what mattered most. It wasn't rap music which at the time was not widely accepted as being a serious musical form. The things that captured my attention was bands like these.
Posted by Cantu on Oct. 20, 2007 at 9:02 AM
PAUL SHAFFER - DRESS COOL - DAVID LETTERMAN SHOW
I remember seeing this but for some reason it stayed stuck in my head. After seeing it again I am not convinced that this was a comedy piece. I think Paul Shaffer was trying to be serious in this rock(?) video because the song is somewhat...... real?
Look for the guy who dresses up in christmas tinsel. I remember that scene. There is a lot of production that went behind this with stop motion animation and so on.
This was recorded in the mid-80's when David Letterman was really picking up a lot of fans. I would put this in 1985 - 1986. The whole period of 1984 - 1986 was sort of a high moment for the show because it was somewhat unpredictable and fun to watch. 1987 brought on a lot of attention to some of the things I took for granted like the TOP TEN list. When that segment rolled out in the 87' season they had monster CGI graphics and I really thought the production was trying too hard. I sort of lost interest in the show after that.
When it moved to CBS it had a whole different vibe to it. Remember too that in 1986 Eddie Van Halen used to play with Shaffer in the band. That was kind of weird to see since Eddie was always considered somewhat of a cult hero.
This clip picks up on the eccentricities of the 80's and how fun the early shows of Letterman used to be before they went big budget.
Posted by Cantu on Oct. 20, 2007 at 8:43 AM
Posted by Cantu on Oct. 20, 2007 at 8:39 AM